A couple more moon-and-tree pieces

 This last month the group of fellow artists I meet with once a week took the month off, and I didn't manage to do any painting without that support. Oh, well.

I did do some more moon-and-tree pieces, and am still enjoying them.

July 9th... and

today.

Starting work on DS #4

This is just the bare beginning - another one that doesn't look like much yet. But I'm pleased to have started!

And this is the color drawing I was pulling from. (This is from when I was doing these almost every day, and calling them MDP drawings, for Mood Daily Practice drawings: I would do whatever I felt like, and then look at them and discover how I was feeling. If that makes sense.)

P.S. I loved the sketchbook I was working in then - kind of a manila-colored paper with faint patterning on it. I used up all the pages, and had to find another sketchbook... I miss that one!

DS #1, update #5

Moving along. This is today's progress:

 

I've added circles to the top band, and kind of leaf edges, or flame edges, to the green area around the horse's back end; I've "smudged" the three little howling wolf cubs; and I've started making the lacy budding-out tree edge, and also given it some branches and a trunk, and a green shape to rest on. I'll be doing more of the lacy twiggy part; and, of course, the wolf cubs will take shape.

Here are details of the wolf cubs and the budding-out tree:

 

And some side notes

 Here are a few quick color drawings I've been doing. In this arena (I think these are becoming my Sunday drawings - I play with them while I'm chat hosting our Sunday services...) I seem to be on a moon-and-tree focus, with these latest ones, and I'm really enjoying them.

The first moon-and-tree emerged quite accidentally; I just started drawing a curve, and some squiggles, and then filling in, and I don't know where this came from but I love it:

Then, the next week:

Rather sweet, I think. A gentle reaching out...

Then, this last Sunday - I had finally decided consciously that moon-and-tree is something I'm enjoying doing, so why not keep doing it?

This feels like embracing.

A note about what I'm using, here: I have a multi-color colored pencil that I adore. (Actually, I have several color varieties, but there's one I usually start with; and when I'm out and about, and need to doodle something but can't carry everything with me, this one is always fun.) Then I might go in with one of the other multi-color ones, and then some fat stubs of Lyra and Ferby (I think) children's colored pencils (I inherited them from my grandkids); and a few colors of Prismacolor color sticks. Which, alas, are no longer available in open stock... bummer... but I have my bits and pieces, and it works for me.

And: started work on DS #2

This doesn't look like much yet, but it was so fun to work on. I love working on washes-to-edges, whether I'm filling the inside of a shape, or working around the outside. Both are happening here: the circle, painting within the edge; and then adding more paint and watching it decide where it wants to go; and then, around the - is it a fish or a whale, or a crocodile hybrid??? or what??? Painting around its edges feels so tactile to me, like moving my hand along the shape of its body.

 

More work on DS #1 - followup #4

 I am really liking the chartreuse band at the top. And having fun with this! A friend of mine remarked that that top band really shifted the energy of this piece for her - and I feel that too.

Also - probably hard to see, though - I have slightly darkened (or maybe the more accurate phrase is "made barely noticeably less light") the strip below the blue line at the bottom. I'll probably want to slightly darken it a little more, still...

Work on DS #1 - followup #3

 More work today. I'm starting to enjoy it... Thanks to my lovely Japanese sumi brush, and my mahlstick, I've added a squiggle and various dots and small circles, as well as some other stuff. Also filled in below the blue "border" at the bottom, with some pale blue, to add to the sense that the painting spills over beyond that "border."

Work on DS #1 - followup #2

 Some more work on this one today. I think I'm happy with the direction it's going. Why I only say "I think," rather than "I am happy:" first of all, however I do feel about a day's work sometimes takes time to sink in. Second: it is still very much in progress. And I'm busy letting go of my ideas of how I thought it would, or might, look, and settling in with how it is looking, right now.

Meanwhile, though, there are things I like about this.

And it's moving from the "I'm not sure how I feel about this yet" towards "I think maybe I like it..."

And, I have figured out a couple of things that make me feel more comfortable in my work time.

First: a mahlstick. What is a mahlstick, you ask? Basically, it's a dowel long enough to rest one end on some surface that is not the painting or drawing (or at least not the part of the painting or drawing you're working on at the moment), while you hold the other end in your non-paintbrush-holding hand, lifted a little above the surface, and you can then rest your painting hand on it. (Wikipedia says it has a padded end - well, usually, but mine doesn't have a padded end, it's just a plain dowel.) It gives support and helps steady your hand. I NEED THAT! (Getting older, here; though still doing pretty well.)

Second: I have been fussing at my paintbrush selection for, oh, a couple of decades now. I used to have one paintbrush I loved for watercolor, a fairly large one (Leo Uhlfelder, if you want to know), which could hold quite a load of water/paint, but also, at the same time, came to a beautiful fine point. Oh, I loved that brush! But over several decades it wore down; still holds plenty of water, but does not have the point it used to. Finally, today, I contemplated one of my Japanese Sumi-e brushes, and tried it out. Duh! (I can't believe I resisted this idea for so long! What was I thinking? Isn't this the obvious brush for the job???) It's great.

So, yay, I am feeling much happier in my painting time now.

Work on #1 - first painting followup

Worked on DS painting #1 today, again. It's definitely still in the "I'm not sure how I feel about this yet" stage. But going along!

Starting to paint!

I have begun painting, working on #1. Not a lot to see yet; the orange outlines of the horse, and some of the cerulean symbols in the upper left.

 And then I was done with the orange for the moment, and I hate to waste paint, so I looked for another half-finished (or barely begun, and then abandoned) painting to use it up on. This is what I found, and adding the orange to it was SO MUCH FUN!

Alas - maybe you can see it - I left the drafting tape on the margins for so many years that it deteriorated, won't come off completely, and has stained and left a residue on the edges I did get it off of. But this might go into another painting; I've decided I really like it...

And finally, this is a view of my drafting table, with glass of water to drink (kept carefully away from rinsing water, so I don't dip my brush in the drinking water, or drink from the rinsing water), and the sketchbook open to the original drawing of the horse that's becoming part of this painting, so I can refer to it as I paint. And, you know, mugs (and a cream pitcher) of brushes...

 Window, shutters, front yard and apple tree in the background...

Oh - and a closer view of the horse drawing...

Transferring cartoons (drawings) for new Dream Surreal paintings - almost done!

 #1, #2 and #3 are transferred and ready to begin painting; transferring #4 is done, all but the foal lying down. I don't know why I find the transferring more tedious than the back-pencilling, but I do. But it gets done...

I am excitedly looking forward to beginning to paint.

This is #2. From a dream I had; the dog is saying to the woman, "We seem to be underwater..." (I have replaced the first photos with new, better, ones)

 

 This is #3. I'm repeating a drawing of my little howling wolf cub figurine, but this time it has its back to us... You can kind of see the pink of the ballpoint pen I used to go over the lines.

 And #4, hard to see at this point  - well, much better now that I've replaced the photo - but there's a big leaf along with the foal lying down, and other things.

Starting a new series of Dream Surreal paintings

 Gosh, it's a long time since I posted here!

I am starting a new series of my Dream Surreal watercolors. I'll show you a couple from the first series:

This is Chickenfoot Serpentine. And:

 

This is The Horse's Ass Painting: a Self-Portrait.

I have composed the drawings, so far, for four new paintings.

This is a look at the first drawing, in the process of being transferred to watercolor paper:

It's harder to see, since it's on tracing paper, but this is the drawing taped to the watercolor block; and you may be able to see that the watercolor paper, behind the tracing paper, has its edges taped all around.

Cinder is finished - I think

Cinder is finished - I think. In this last session, I was looking at what kind of feeling her portrait conveyed. The feeling I got from her, intuitively and from her photos, was a feeling of relaxation. Yet, looking at the portrait, some of my trusted feedback-givers and I were getting the sense that, rather than being relaxed, she was about to jump up - coming out of that relaxed state into an on-alert state, watchful and ready for action. Thinking about where that feeling might be coming from, my husband suggested that her shoulders were a bit raised; I noticed, also, that I had the angle of her elbow more vertical than it should be. So I changed that angle, lowered and smoothed her topline, and shifted the stresses in her shoulders. I believe that it worked.

I also worked more on her eyes, especially that less-finished left eye (remember, to us viewers it's the right-side eye, but it's HER left), and on her face; darkened her left ear a bit and brightened the top of Foofer, behind her ear.

Finally - I signed and dated this painting. Yay! I may still see some little things that I want to tweak or bring out, but essentially, I feel like I've reached my goal.


Here's a detail of her face. I really like the way her face and head have taken shape and taken on color.

Cinder: more work on her head - WIP #14

Today's work on Cinder: more detail and filling in, on her head; a lot of work on the blanket fringe; and some refining on her right elbow (front leg) and hind knee. It's getting very close. A bit more work needed on her eyes. Her left eye is still not as developed as her right. I think the fringe needs a little more detail, too, but maybe not much. I might work some more on her hind toes; not sure about that right now.

Then it will be time to turn my back to the painting, close my eyes, and spin around fast to look at it; do some squinting; and anything else I can think of, to get a sense of what last things it needs, for balance and aliveness.


Here's a detail of her face.

Cinder: working on her head - WIP #13

Recent work has been mainly on Cinder's head, and sometimes it seems to go very slowly, and be very subtle. But I feel like her eyes are coming to life, and her nose is looking good. I did some work on the fringe, as well.

It's coming, it's coming... (Did I ever mention my - favorite - art teacher, in high school summer school, who said that to me every day for six weeks? "It's coming, it's coming..." I wanted to yell, "Yeah, but when's it going to BE there - be done???")


Here's a closeup of Cinder's head. Work on eyes, ears, nose. I have started to fill in the dark areas around her right eye (on our left, looking at it), but not much on her left eye yet.

Cinder: WIP #12

Okay. Work on Cinder's face today, as well as smoothing out her chest, shoulders and right foreleg; and some work on Foofer. Also worked some more on Cinder's hind toes, and her hind feet are approaching finished.


Here's a closer look at Cinder's face, and Foofer. When I started on her eyes, she looked like some red-eyed were-dog; now, with a little detail, they're starting to look more like sweet dog's eyes. I've been modeling the head shape, refining her muzzle, and shaping her ears. Foofer's looking pretty finished, and seems to have a velvety look. I'm not sure how that happened, though of course I'm happy about it; I just hope it's not because my photography today is not totally in focus. I added just a glimpse of Cinder's blue collar. I like the way the shape and colors of her head are looking, and I think the end is in sight. It seems to be very helpful to be able to look at photos of the painting, onscreen; it gives me a better sense of how well the painting holds up as a whole.

One of the major parts of this still to be done is the fringe of the blanket. But aside from that, it's getting close.

Cinder: getting ready to work on her head - WIP #11

Yesterday I did a few touches - cleaning up some window frames; enhancing some highlights, including along Cinder's back; some work on her right hind foot and leg, including highlights, and making her toes bigger - ah, those feet! Nothing like dog paws... And a bit of underlighting in her haunch.

Mostly, though, I spent my time yesterday getting ready to get down to business on Cinder's face. I pulled out all the photos I have of her; for months I have been looking at just the one I'm using in this portrait, but now I need some of the information in those others, especially a better look at her eyes. I picked the one with the clearest view of her eyes; I also decided I'd like to have a clearer view of her head from my main photo, so I scanned it, enlarged it, and messed with it in Photoshop, and likewise with that photo of her eyes, and printed out copies. In the process, I discovered Photoshop's dodge and burn tools...



This is the good photo of Cinder's eyes. What a lovely forehead! This also gives me a good look at her nose...







This is the Photoshopped detail of Cinder's head from the main photo. It's still kinda funky, but at least seeable, and will be very helpful. Now I feel ready to really work on Cinder's face, especially that crucial component, her eyes.

I think my painting may look brighter in this post; if so, that's not a change in the painting, but the result of my deciding to take a chance on the change Photoshop makes to my photo when I use the Auto-Levels feature. I'm not sure if this gives a more accurate color cast, contrast and range, or not, but I'm giving it a try.

Well, on to work...

Cinder again, WIP #10

End of the day today. I've been smoothing out her back, doing more work on her toes - I love how those dog feet are starting to feel three-dimensional; working on the sun and shadow and the highlights on her back leg... There's starting to be a clear distinction between sunlit and shadowed areas, clearest in her back half, but still needing to make more visual sense.




Here's her hind foot, with her toes taking shape. I enjoy catching the feel of her pads...



Here's a closer look at her tail - a much better curve now, and fully rounded. Above her back, I've defined the window frame, and darkened the background a bit to bring out her sunlit back. I think this darkening also makes the window look more reflective.

So that's it for today.

Cinder again, WIP #9

This is yesterday's work, and some of today's. Cinder's tail is taking shape, her feet are emerging, and I've done more work on her hind legs. I've also started doing the fringe of the blanket.

I photographed Cinder twice today, partly because, after some work, I was unsure what to do next, and also because I felt like being able to see the painting in a photo, as if it were someone else's, would help me see it, and what it needed, more clearly.

Cinder again

Latest work on Cinder: more work on the blanket, the pillow and Foofer, and work on Cinder's second stuffed animal; and more work on the view out the window, and the window frame. I've also improved the curve of her tail tip, and added a reflection in the window.